Video by Joshua Dumas
Joshua Dumas, in collaboration with Sarah Cameron Sunde, creates a sound bath for Bloch: a 200 year old tree that Swiss arts duo Com&Com have been touring the globe with since 2011.
In a five hour durational performance at the Knockdown Center in Queens, Dumas interprets measurements gathered by Sunde to create a reverential soundscape for the ancient tree.
Preliminary video documentation here.
On an island estate, an aging maestro (alone but for his faithful butler) shares with a humble gardener his story of a life lived for music – oh, and the time he tried to destroy the world. A melanchomedy about music, lost love, memory, and literally world-shattering art.
Written by Robert Stewart
Directed by Greg Peters
Original Music by Joshua Dumas
Video shot, animated and edited by Joshua Dumas
“An abstract travelogue of the last year or so of my life: Chicago, Iowa, Manhattan, Long Island, Brooklyn, Hudson River Valley, Michigan, Indiana, and all the windows in between.”
Song recorded and mixed by Alex Inglizian at Experimental Sound Studio. Mastered by Peter Andreadis at All City Mastering. Performed by: Annie Higgins: piano/vocals, Jason Toth: drums, Joshua Dumas: electronics, James Falzone: clarinet
36.5 is Sarah Cameron Sunde’s durational performance with the sea. Sunde stands for a full tidal cycle as water engulfs her up to her neck and then recedes again. Past iterations in Bass Harbor, Maine, Akumal, Mexico, San Francisco, California, and Katwijk aan Zee, Netherlands.
Composer Joshua Dumas has scored excerpts of the last two performances and created a full 12 hour score to accompany documentation of the Netherlands performance.
Based on Margaret Atwood's novella, “The Penelopiad.”
Directed by Erica Barnes
Assistant Director Lexi Saunders
Original Music by Joshua Dumas
Environment and Object Design by Sarah Coleman
Costume Design by Carla Hamilton
Dramaturgy by Sarah Sapperstein
With Mary Jo Bolduc, Jackie Davies, Avery Glassman, Sheena Laird, Genevieve Lally-Knuth, Lynnette Li, Jabu Mickle-Molefe, Nelia Miller, Meredith Montgomery, Katya Schexnaydre, Lisa Siciliano, Carolyn Sinon, Danielle Trudeau, Tamara White
Listen to selections from the score.
Drone folk.
Ben Clarke — vocals, guitar
Jim Duffy — drums
Johnny Caluya — guitar
Jordan Martins — bass, steel guitar
Joshua Dumas — keys
Matt DeWine — sonics
Expanded and new material based on music composed while in residence at Robert Wilson's Watermill Center for Lydian Junction's “Born for Nothing,” Oct 2014.
Born for Nothing
directed by Sarah Cameron Sunde
with Dages Juvelier Keates, Oliver Burns, Christopher Berg, Karla Carballar, Tegan Ritz McDuffie, Natalia Roumelioti / ntilit, Joshua Dumas, Anna Kiraly, Laura Mrozkowski.
Composed, performed and recorded (mostly live) by Joshua Dumas, in the Watermill Center's Rehearsal Hall. The Rehearsal Hall, pictured above, has roughly 6 seconds of natural reverb.
Eiren’s music comes from her childhood in the wooded hills of Western Mass, where her bohemian parents took her to art galleries, hash parties and Shaker barns. These influences have resulted in her unusual lyricism, strong songcraft and the shy quiet in her longing voice.
Eiren Caffall - vocals, songs, words
Ari Bolles - upright, vocals
Zach Parker - guitar, vocals
Lawrence Peters - drums, vocals
Joshua Dumas- guitar
Slipping the Holdfast now available on vinyl and mp3.
While in residence at The Watermill Center, Lydian Junction will develop their current work, Born For Nothing, responding to the collection and grounds. On November 1, they will open their rehearsal process to the public and show a draft of the work.
directed by Sarah Cameron Sunde with dance artist Dages Juvelier Keates, composer Christopher Berg, actor Oliver Burns, video artist Karla Carballar, assistant director Tegan Ritz MacDuffie, composer Joshua Dumas, costumer Natalia Roumelioti, and set Anna Kiraly.
Noisy droning art rock. Kate Drown (synth), Richard Hwang (bass), Rob Kowalczyk (guitar), Nathaniel Parks (guitar), Joshua Dumas (drums, vibraphone). One release, a triple split cassette on Paramita Tapes with Shapers and Verma.
Reviews — Tiny Mix Tapes, Weed Temple, Foxy Digitalis, Spicer.
Using analog, digital, and software synthesizers, Joshua Dumas makes jams for rad space videos about outer space that didn’t used to have any sound or music or anything. They were just silent. Like space is. But now they have synths backing them up.
A guided meditation and expanded cinema event. Amateur and industrial films from Chicago Film Archives, edited by Christy LeMaster, come alive through a three projector performance by Anne Wells, Chloe McLaren and Doug McLaren, accompanied by the words of Mairead Case and Ed Crouse, and the sounds of Joshua Dumas.
Performances:
Nightingale July 2012
Museum of Contemporary Art Chicago March 2014
Director: Jerzy Rose
Screenwriters: Halle Butler, Jerzy Rose
Cinematography: Robert Cauble
Music: Joshua Dumas
A sweet and trusting young woman is repeatedly injured in bizarre accidents, but her overconfident boyfriend is far from sympathetic - he's busy playing power games at the university where he works.
Cast: Mike Lopez, Lyra Hill, Ted Tremper, Adam Paul, Buki Bodunrin, Tommy Heffron, Joshua Dumas
Screened at Siskel Center, Slamdance, Atlanta Underground Film Fest
A sound and video series.
Some mornings, when I am very lucky, I get to start my day at the piano. I'd been writing these small rough sketches that sort of feel like nocturnes, but since I work early, I'm calling them matinals. From April 26 - June 14, I recorded a new piece each Friday accompanied by a video experiment.
Now available on cassette from Horror/Fiction Tapes!
Written, directed: Jeremy Bessoff
Music: Keith Kusterer, Joshua Dumas
Stop-motion animated short explores the stalled domestic relationship of a dysfunctional couple. The characters' descent into the watery abyss becomes a metaphor for examining their relationship darkened by deep emotional turmoil.
Screenings:
London Underground Film Festival, Siskel Center, Nightingale